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‘Jessie’s Girl’ But Sapphic: Run Remedy’s Version Rules

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The most iconic thing you can do in 2026 is take a straight(ish) classic about yearning, gently rotate it until it’s gay, and then commit to the bit so hard you end up swapping the guitar solo for a banjo. That’s the energy Run Remedy is bringing to her brand new cover of Jessie’s Girl, out today. 

A Classic Crush Song, Now Properly Queer

Alt-pop artist Run Remedy (the project of Robin Koob) has reimagined ‘Jessie’s Girl’ through a “soft-girl, sapphic daydream” lens, and it fits as if it were always meant to be here.

In this version, all the characters are women, which immediately changes the song’s whole vibe from “why is this guy telling me this at a barbecue” to “oh no, I am also emotionally spiralling in a very specific way”. It’s still got that instantly recognisable riff, but Koob dresses it up with lush instrumentationplayful key changes, and a lot more warmth than you’d expect from a song that originally thrived on peak early-Australia-meets-United States radio melodrama. 

“That level of cringey yearning is timeless, so obviously I had to make my own sapphic spinoff.”

The Video Is Pure Camp (In the Best Way)

Run Remedy didn’t just cover the song; she recreated the music video, too, with an affectionate, wink-wink commitment to the original’s famously camp energy. According to Koob, the shoot was a one-day, gorilla-style sprint around Manchester, ending with everyone passing around the wig like it’s a sacred artefact. Goofy as. I live.

If you love the original video’s chaotic theatre-kid intensity, you’re going to have a good time here.

Who Is Run Remedy?

If Run Remedy is new to you: welcome, you’re about to have a great week.

Koob is an American-born songwriter now based in Manchester, and her work often sits in that sweet spot between confessional indie storytelling and genre-hopping arrangements. Her debut album, Xtian Skate Night, was released in June 2025 and explores identity, self-acceptance, grief, and growing up queer in an ultra-Christian environment.

Live Dates

If you want to catch this live (and you should, because a dramatic queer key change in a room full of people is basically community care), Run Remedy has a tidy stack of dates across the UK and US.

The New Colossus Festival (New York City, US)

  • 3 March 2026 – Pianos (Upstairs), 8:45 pm
  • 4 March 2026 – Pianos (Showroom), 7:30 pm 

UK Dates

  • 23 April 2026 – The Eagle Inn, Manchester (supporting Charlotte Carpenter) 
  • 2 May 2026 – FortyFive Vinyl Cafe, York (supporting Katie Rigby) (announced in the press info)

Kendal Calling (Cumbria, UK)

  • 2 August 2026 

Watch It


TLDR;

  • The wonderful Run Remedy has released a sapphic, soft-girl rework of ‘Jessie’s Girl’ today. 
  • Yes, the iconic riff survives. No, the guitar solo does not. (Banjo rights.) 
  • There’s a lovingly recreated video with maximum camp commitment. 
  • Live dates include The New Colossus Festival in NYC and Kendal Calling in the UK.

Stay unruly.

Hilary Duff Announces ‘The Lucky Me Tour’ 2026–2027, And Yes, We’re Ready for That Choreo

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Hilary Duff is officially entering her arena era again, and we are so ready.

Ahead of her sixth studio album‘ luck… or something’ dropping February 20, Duff has announced ‘the lucky me tour’, her first full global headline run in almost two decades. It kicks off June 22 in Florida and stretches right through to February 2027, with Australia and New Zealand getting their turn in October.

And yes, Perth is on the list. We love a dramatic West Coast finale.

Arena Hilary Is Back

This is:

  • Madison Square Garden
  • Red Rocks Amphitheatre
  • LA’s Kia Forum
  • London’s The O2
  • Rod Laver Arena
  • RAC Arena

Support across Australia and New Zealand comes from La Roux, which feels extremely 2010 Tumblr-coded, and y’know what? I’m not mad about it.

Hilary teased the tour at her final ‘Small Rooms, Big Nerves’ show in LA by bringing fans onstage to recreate the viral ‘With Love’ dance moment. You know the one. The choreography that launched a thousand TikToks. The stiff-arm classic. The “are we witnessing pop history or Year 9 assembly?” era.

She’s since leaned into it, performed it knowingly, and reclaimed it. Which means we are absolutely ready to witness it served in person at full arena scale. Respectfully.


Australia & New Zealand Dates

Mark it in your calendar app immediately:

  • October 20 – Auckland, Spark Arena
  • October 22 – Brisbane, Brisbane Entertainment Centre
  • October 24 – Sydney, Qudos Bank Arena
  • October 26 – Melbourne, Rod Laver Arena
  • October 29 – Perth, RAC Arena

Perth, closing the Australian leg, is deeply correct energy. Let us have the final glitter fallout. Cheers, babes.

Tickets & Presales

Important stuff:

  • Artist presale sign-ups are open now
  • General on-sale begins Friday, 20 February
    • 10 am local US, Canada, Ireland, UK
    • 11 am local Mexico
    • 1 pm local Australia and New Zealand

Mastercard presale in Australia:

  • Wednesday 18 February, 2 pm local
  • Ends Friday 20 February, 12 pm local

Full details: www.hilaryduff.com/live

VIP packages will also be available, because obviously.


The Album Era

The tour celebrates Duff’s upcoming album’ luck… or something’, arriving February 20.

So far we’ve had:

  • Roommates – co-written with Matthew Koma and Brian Phillips, climbing at Pop and Hot AC radio
  • ‘Mature’ – glossy, sharp, grown but still very Hilary

This is her first new album since 2015’s ‘Breathe In. Breathe Out.’

Why This Still Hits

Hilary Duff is one of those artists who quietly shaped a generation. Lizzie McGuire was early representation of big feelings, inner monologues, and being a little socially off but still worthy of love.

Then the music soundtracked our teenage years. ‘Come Clean’ remains one of the most emotionally destabilising rain-soaked pop songs of all time. I don’t make the rules.

Now she’s back with a new record, La Roux on support, and the confidence to lean into her own pop lore. Good for her.


TLDR;

  • Hilary Duff announces ‘the lucky me tour’, her first global headline run in nearly 20 years
  • New album ‘luck… or something‘ out February 20
  • Australia & NZ dates in October 2026
  • Perth closes the Australian leg at RAC Arena on October 29
  • La Roux supports AU/NZ shows
  • AU/NZ general on-sale: Friday 20 February at 1 pm local
  • Full ticket info: https://www.hilaryduff.com/live

We will be there. Possibly attempting the choreo. Possibly pulling a hamstring.

Stay unruly.

30-Minute Friends #1: A 74-Year-Old Guitarist, a Comedy House, and the Retirement Problem

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Perth by Tibor Janas

My commute is, if I’m lucky, about 30 minutes or so long enough for a ride to be either peacefully silent or for a stranger to tell you their entire origin story before you’ve even mentally arrived at the traffic lights.

This one was the second kind.

I’m calling this series 30-Minute Friends because that’s what it feels like. You meet. You chat. You get a weirdly intimate snapshot of someone’s life. Then the door opens, you step out, and it’s over like it never happened.

Quick note, because it matters. I’m a woman alone in a car with someone I don’t know. In the moment, I keep it calm. I keep it neutral. I’m sharing what was said because it’s an honest record of the conversation, not because I agree with every opinion or joke that landed in the space.

Anyway. Episode one.

He was 74, recently retired, born in Zimbabwe back when it was Rhodesia, with family ties to South Africa. His wife is Australian. He plays guitar. He’s chatty in that old-school way where you can tell he genuinely likes people.

Canal boats and the UK holiday he can already see in his head

We started with a daydream. He’d been thinking about the UK canals, the kind you rent a narrowboat for, and just… drift.

Driver: “That’s how big those canals are. They go all over the country.”

I asked if he had a particular place in mind, and he shrugged it off like the point wasn’t the destination. It was the pace.

Driver: “Just… a short trip up and down. Pull up at some village and get a counter meal and a beer… then move on to the next one.”

Honestly, that’s probably the calmest holiday plan I’ve heard in a while.

“I’m an immigrant. I’ve been here 40 years.”

Somewhere between canals and traffic, the conversation shifted into the stuff Perth conversations always end up circling: where you’re from, how you landed here, what “home” means once you’ve lived in more than one place.

Driver: “I love it here. I consider it home now… I’m an immigrant. I’ll be here 40 years.”

He’d gone back to Africa three times. He’s done with it.

Driver: “Every time I go back, I’m disappointed. Crime rates through the roof, poverty. It’s not like I remember it.”

Me: “So it’s better in your memory.”

Driver: “That’s exactly right.”

He mentioned British grandparents and how that’s part of why so much of his family ended up in England.

Driver: “Because you’ve got grandparents, you can come and live.”

Then he tossed out a detail that sounded almost funny until you sit with it.

Driver: “I’ve got a British passport I’ve never used.”

He told me it was a big deal to get, but he didn’t need it. He got into Australia on his South African passport, became a citizen after three years, and kept the British one for one reason only.

Driver: “I just kept it out of nostalgia.”

That’s such a specific kind of immigrant artefact. Not practical. Just proof that your history has layers.

Why Perth has so many South Africans (and why it makes sense once you say it out loud)

I mentioned that I’d met a lot of South Africans here, and he immediately had an answer ready.

Driver: “That was the reason… it’s pretty close to Africa… and there’s a couple of advantages… they share cricket and rugby.”

He talked about how South Africa and Zimbabwe (and Australia, honestly) have a lot of overlap in the cultural basics: outdoors, barbecues, fishing, camping. The “we’d rather be outside” spirit.

Driver: “We’re very much a barbecue country… we like the idea of being outdoors and fishing and camping. Lots of shared culture.”

It was one of those moments where Perth suddenly made more sense as a place. People follow familiarity, even if they don’t call it that.

British names, African soil

He said his family is from South Africa, but he was born in Zimbabwe, “the next country up above South Africa.” Then he described his childhood in a way that was funny and bleak at the same time.

Driver: “We were very British… my surname’s [removed]… I went to school with a lot of McDonald’s and Mackenzie’s and Jones’s and Smith’s.”

Driver: “There weren’t many African names at my school.”

If you want the short version of colonial history, it’s sitting right there in a classroom roll call.

The Queen’s anthem in a cinema… in Africa

The monarchy came up, as it tends to with people raised in Commonwealth worlds. Then he said something I’ll be thinking about for a while.

Driver: “When I was growing up, we’d go to the movies. Before the ad started, they used to play the Queen’s anthem… and every person stood up. That’s in the middle of Africa.”

A whole cinema standing up before the previews. The kind of ritual that bakes respect into you, whether you question it or not.

He said people are shocked when he tells them that.

Driver: “We always believed that she was our queen.”

We talked briefly about how the monarchy’s image has shifted, how scandal and tabloid obsession have flattened the mystique. He mentioned the constant headlines and the confusion around what’s true.

Driver: “You don’t know what to believe… one minute the King’s really sick and then suddenly you see him out shaking hands and he seems fine.”

He meant Charles. The whiplash of modern coverage, where everything is “breaking” and nothing has time to settle.

I said something I genuinely believe: we know too much about everyone now. Or at least, we know too many fragments, delivered loudly.

The Crown, and the actress question

We touched on The Crown, too, and he got stuck on the actor changes.

Driver: “What was her name… the young Queen… I was quite disappointed… why did they have different actors?”

Me: “Claire Foy.”

Driver: “Yeah, she was really good.”

He loved how intimate the series felt, while also feeling like that intimacy chips away at the old aura.

Driver: “It takes away from this intrigue… and respectability.”

“So what is Britain?” (The definition, and then the real-life version)

Then he asked a question that has started fights at pubs and on the internet since the dawn of time.

Driver: “We’ve got England, we’ve got Scotland, we’ve got Ireland and Wales. What is Britain?”

So I gave him the clean version: Great Britain is the island with England, Scotland, and Wales. The United Kingdom is Great Britain plus Northern Ireland. Ireland is its own country. “Britain” gets used loosely as shorthand for the UK so often that the meaning blurs.

Then I added the part that matters in everyday conversation.

In my experience, the people who actually live there usually go by their country. English people say they’re English. Welsh are Welsh. Scottish are Scottish. Irish are Irish. “British” gets used by outsiders more than it gets used inside the UK, and it lands differently depending on who you’re talking to.

Driver: “If I was a Scot, I’d call myself a Scot.”

Rhodesia, race, and the DNA result that rewrote the family story

From there, the conversation deepened without anyone announcing it.

He talked about identity in Rhodesia and why people labelled themselves the way they did.

Driver: “In Rhodesia… we were right in the centre of Africa. We would never call ourselves Africans… because we come from a racist country.”

He said the white population in South Africa called themselves South Africans. In Rhodesia, he said, people didn’t call themselves African.

Driver: “We’re white Rhodesians. That’s how we used to describe ourselves.”

Then he told me he’s mixed race, and he only found out specific details through DNA testing.

Driver: “I’ve got Indian mix, and I only found that out through my DNA.”

He’d always suspected something in the family, based on old photos.

Driver: “My mother… pale olive complexion… her brother was very dark… my grandfather… he looks very Indian.”

But nobody talked about it.

Driver: “We lived in a racist country where nobody wanted to be… mixed blood.”

He said if he’d grown up in Australia, he wouldn’t have been indoctrinated the same way.

Driver: “Indoctrinated to white society. You can’t help it.”

His mother, he said, used to dodge the conversation with made-up stories.

Driver: “Tell them you’re Jewish. Tell them you’re Italian.”

Then his daughter pushed him to do the test, partly because she wanted to know before having kids.

Driver: “I didn’t want to know… she made me do a DNA… came back 33 Indian, 50 Anglo-Saxon… a bit of Viking… a bit of Spanish…”

He said it explained why he had darker skin, and that his mother took the truth “to her grave.”

Then came a line that landed awkwardly in the car. He told me his daughter couldn’t wait to tell her husband.

Driver: “He hates Indians. Now he’s going to have two half-Indian sons.”

That’s one of those comments that just sits there. It’s funny in the way life can be: blunt, uncomfortable, a bit too real.

He said his grandsons look different, too. One is fair. The other is his double.

Driver: “I showed him a photograph of me when I was about six… I said, who’s this? He said, that’s me. I said, no, that’s Poppy.”

DNA also solves crimes now, which is both cool and horrifying

At that point, I asked about something else I’ve been hearing more and more: crimes being solved because relatives uploaded their DNA.

Me: “Have you heard about certain crimes being uncovered because of the DNA testing that people are doing now?”

He had.

Driver: “To find DNA on a body, they go through the register… it could be your DNA… and you find out your brother happened to be in that.”

It’s genuinely phenomenal. It’s also a bit terrifying. Imagine doing a cute ancestry kit because you’re bored, then accidentally helping solve a murder. Family group chat would never recover.

Trunk calls, WhatsApp, and the future arriving too fast

From DNA, we drifted into technology in general, and he was in full “I can’t believe we live like this” mode.

He talked about WhatsApp and calling family overseas.

Driver: “Family in Liverpool… it’s like they’re just here… we talk for about an hour… cost of that? Costs nothing.”

Then he explained the old way of making overseas calls in the 80s, and this part was so specific it felt like a museum exhibit.

Driver: “You dial zero… talk to an operator… place a trunk call… they’d call you back… then connect… they’d ring the other person and say, are you happy to take the call… two or three minutes… about thirty dollars.”

Now he just talks to his phone like it’s a butler.

Driver: “Hey Siri… oh she’s listening. Cancel… call [relative]… next thing I’m talking to my nephew.”

The speed of it still seems to delight him, which, honestly, is kind of sweet.

The comedy house, the music nights, and the Monty Python shopping spree

Then we landed on the part that made me want to be invited, purely as a spectator.

He and his wife, he said, have always been entertainers. She works in real estate. He’s a musician. He plays guitar on weekends.

Driver: “We’ve both been entertainers all our lives.”

Their house hosts events.

Driver: “Every month we have a comedy night… amateurs… five or eight minute act.”

Driver: “In November we have a music night… ukulele or a banjo or a recorder… whatever.”

About 50 guests show up.

Driver: “We get about 50 people that come along.”

He even got momentarily lost in his own story, realised, and said:

Driver: “Anyway, where am I going with this.”

Me: “Buying things.”

And then he explained: they’ve got a comedy night coming up in late February, and they’re doing a Monty Python French Taunter sketch.

Driver: “We’ve decided to do… the French taunter… looking for the Holy Grail… we’ve worked that out…”

So he ordered props. All of them.

Driver: “Backdrop of a castle… t-shirts that look like chain mail… swords… a crown… this massive thing… horse heads… all of this for 76 bucks to be delivered to my home.”

Five days. From China.

Driver: “Isn’t that incredible?”

He sounded genuinely amazed, like the internet is still magic to him even after all these years.

Perth shipping, Temu, and the Great Shoe Debate

Then he compared online shipping to local shopping, and honestly, every Perth resident has made this complaint at least once.

Driver: “If you go to a shop in Perth and you order something… it takes twice as long… then if you order it on Temu, three days later you get a box at your front door.”

We got onto shoes. He refused to buy them without trying them on.

Driver: “I wouldn’t buy a pair of shoes without trying them on.”

His wife buys them online anyway and apparently nails it about 90% of the time.

Then came the wardrobe situation.

Driver: “We got a large walk-in robe… and all my clothes are in the spare bedroom.”

He said he’s proud of her because everything she buys is “on sale” (according to her).

Driver: “These were normally eight hundred dollars and I only got them for five… so I’ve saved 300 bucks.”

Then he hit me with the Perthest, most dad-coded line of the entire ride:

Driver: “I could go to bloody Kmart and buy a thousand shoes for what you paid for one pair.”

Why he drives, and the jokes I didn’t want to laugh at

Eventually, we got to the “why do you do this job” part.

He retired mid-2024, stayed home for just over a year, and hated it.

Driver: “To be honest, I was going nuts.”

Driving gives him a reason to get out, plus the parts that matter to him.

Driver: “I love chatting… I love hearing what other people do.”

Driver: “An air-conditioned car… I’m not doing any heavy lifting or in the heat… and I go home with a bit of pocket money.”

Then he slid into the “wife banter” routine. Some of it was classic old-guy comedy, designed for a cheap laugh from strangers.

Driver: She says, “People must think I’m the biggest bitch in the world.”

He explained he’s basically painted a deliberately bad picture of his wife as a running gag, and he knows it’s unfair. She knows it’s a bit. He’s doing it for the laugh.

I gave him my safest possible “oh nooo” in a playful tone that still made my disapproval clear. You pick your battles in a moving car.

Then he went again.

Driver: “This is my second wife… I’m so happy with her. I hope my third wife is good.”

That got an “oooof” from me. Same deal: jokey enough to keep the atmosphere light, clear enough that I wasn’t cheering it on.

He said his wife is sick of the repeated jokes. Yeah, I don’t blame her.

Still, he ended that whole section on something I fully agree with.

Driver: “That’s what it’s all about. Humour… it keeps you going.”

The last part: choosing your destination, and why drivers don’t see yours anymore

At the end, he told me he was heading down south to visit his brother in a nursing home, then he’d work around that area after.

Driver: “If I keep going, I’ll end up with lots of trips all around town… so I’ll turn it off… visit him… then do work around that area.”

He also explained why drivers don’t get destinations upfront anymore.

Driver: “In the early days, it would come up and tell you where the destination was… drivers would cancel… so now I don’t really have a clue until I pick you up.”

He said he’s never cancelled a trip.

Driver: “I’ve never cancelled a trip yet.”

Then the car stopped, I thanked him, and the conversation evaporated. Like they always do. You walk away holding this tiny pocket-sized universe somebody handed you for half an hour.

TL;DR

  • 30-Minute Friends is an Unruly Folk series built from unscripted ride conversations on my commute
  • Episode one: a 74-year-old retired musician who drives to stay busy, chat to people, and keep some freedom
  • We talked UK canal-boat holidays, immigration, British passports kept for nostalgia, why Perth has so many South Africans, the Queen’s anthem in a cinema in Africa, Charles and tabloid whiplash, The Crown, Britain vs UK confusion, Rhodesia and identity, DNA surprises, crimes solved through DNA databases, WhatsApp miracles, old-school trunk calls, comedy nights at home, a Monty Python sketch fueled by $76 of props, Perth shipping gripes, and the Great Shoe Debate
  • Shared as a record of the conversation, not a stamp of approval on every opinion or joke

Stay unruly.

Jeff Goldblum Is Bringing His Jazz Orchestra to Australia in 2026

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Jeff Goldblum & The Mildred Snitzer Orchestra are officially bringing The ‘Night Blooms’ World Tour to Australia in April–May 2026, with dates in Melbourne, Perth, Brisbane, Adelaide, and Sydney.

And yes, this is the point where I say: I need to be there. I’ll… find a way.

What Is This Tour, Exactly?

According to the tour info, the run is tied to Goldblum’s forthcoming album Still Blooming: Night Blooms, with the record set for release on 5 June 2026 via Universal’s relaunched Fontana label.

The show is billed as an “intimate yet exuberant” night of jazz + storytelling (the exact vibe you want when your brain needs a little sparkle but your soul also wants to sit down).

The Sydney date is being framed as a special one. A one-night-only performance alongside The Metropolitan Orchestra conducted by Sarah-Grace Williams at Sydney Opera House.


Australian Tour Dates and Venues

These are the dates currently listed on the official tour page: 

CityDateVenueTicket Link (Official)
MelbourneFri 24 Apr 2026Palais TheatreTicketmaster (via TEG Dainty) 
PerthTue 28 Apr 2026Riverside TheatreTicketek (via TEG Dainty) 
BrisbaneThu 30 Apr 2026Brisbane Convention & Exhibition CentreTicketek (via TEG Dainty) 
AdelaideSat 2 May 2026Festival TheatreTicketek (via TEG Dainty) 
SydneyTue 5 May 2026Sydney Opera HouseSydney Opera House site (via TEG Dainty) 

Tickets are on sale now.

Jeff Goldblum & The Mildred Snitzer Orchestra present ‘Still Blooming: Night Blooms’


Accessibility Snapshot

Accessibility Snapshot (Publish Date: 8 February 2026)
We’re pro-access and anti-guessing. This is what’s publicly visible right now; always confirm with the venue and your ticketing page before you buy.

Legend: Confirmed = Stated on official event listing. Reported = Mentioned by secondary sources. Not Confirmed = Not currently listed.

CategoryFeatureOptionsNotes
BookingOfficial Ticket LinksConfirmedLinks are listed per city on the TEG Dainty page. 
Venue AccessWheelchair AccessNot ConfirmedVaries by venue; check the venue accessibility pages before purchasing.
SeatingAccessible SeatingNot ConfirmedLook for “accessible seating” options in your ticketing flow.
Audio AccessHearing Loop / Assistive ListeningNot ConfirmedSome venues offer this, but it’s not listed on the tour page.
CaptioningLive CaptionsNot ConfirmedNot listed on the tour page.
AuslanInterpreted PerformanceNot ConfirmedNot listed on the tour page.
SensoryQuiet/Low-Sensory SpaceNot ConfirmedNot listed on the tour page; venue-dependent.
EntryEarly Entry / Queuing SupportNot ConfirmedVenue-dependent; worth asking if you need it.
Companion CardAcceptedNot ConfirmedVenue/ticketing dependent.

Standard disclaimer: Accessibility features can differ by venue, event configuration, and ticketing provider. If something is essential for you (seating type, audio support, captioning, step-free route), contact the venue or ticketing provider before buying.


TLDR;

  • Jeff Goldblum & The Mildred Snitzer Orchestra are touring Australia Apr–May 2026
  • Dates: Melbourne (24 Apr), Perth (28 Apr), Brisbane (30 Apr), Adelaide (2 May), Sydney (5 May)
  • Official tour/tickets hub: TEG Dainty listing (city-by-city links). 
  • Sydney show is positioned as a special one with The Metropolitan Orchestra conducted by Sarah-Grace Williams. 

Stay unruly.

‘cash rich’ Review: snake eyes Turn DIY Grit-Pop Into a Livewire Debut

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There is a handwritten manifesto tucked into the world of‘snake eyes’ that goes something like this:

don’t be a prick. share the love. no music on a dead planet. let’s have a damn boogie.

It is blunt, sincere, and a little scrappy, which makes it a pretty solid summary of ‘cash rich‘, the Brighton duo’s long-awaited debut album.

This record took its time. Nearly six years, two EPs, a lot of touring, and a slow, deliberate process of figuring out what this band actually wanted an album to be. You can hear that patience all over ‘cash rich’. These songs sound lived in. Tested. Played in rooms with people in them before being locked down on record.


Built From the Stage Outward

‘cash rich’ is loud, fuzzy, and physical. These are songs that move quickly, hit hard, and feel like they were written with a crowd in mind. Big choruses. Racing tempos. That stomp-you-forward energy that works best when you are standing shoulder to shoulder with strangers, shouting words back at the band.

That does mean this is not a record that demands constant repeat listening at home. Personally, I am fussy and repetitive with what I spin day to day. I cling to a small rotation. ‘cash rich’ feels less like a comfort record and more like a live document. Something that clicks hardest when the volume is up and the room is warm.

That is not a weakness. It is just an honest read of what this band prioritises.


Positivity, Without Pretending It Is Easy

‘snake eyes’ talk openly about positivity, but they do not sell it as a constant state. That tension sits right at the centre of ‘cash rich’. There are songs about money stress, confidence, burnout, heartbreak, headaches, and the slow grind of trying to keep a band going without lying to yourself or your audience.

Drummer Thomas Lisle Coe-Brooker puts it plainly:

“It really is a body of work that represents the first 5 years of our band. Personally, I wanted to tour as much as we could and feel like we had an audience that actually wanted an album, rather than just releasing something that might fall on deaf ears.”

What works here is the transparency. There is no polished fantasy of independent success. The lyrics acknowledge how hard it is to do this sustainably, emotionally and financially, and still choose to show up with joy anyway. The warmth comes from that choice, not from pretending things are fine all the time.


DIY That Actually Means DIY

The way ‘cash rich’ was made matters. Self-produced. Tracked live. Guitar tones obsessed over. Different snares for different songs. Extra textures added wherever the band could make it work, whether that was studios, hotel rooms, borrowed spaces, or late-night DIY problem-solving.

Guitarist and vocalist Jim Heffy leans into that process:

“We put a lot into this and really took the time to get things sounding right for the songs. We tried loads of amps and pedals, different snares for different tunes. We got real nerdy with it.”

That includes bowed acoustic guitar layered with strings, learning vinyl scratching on the fly, pump organ sessions with one person on keys and the other working the foot pedal, and recording backing vocals wherever life allowed. It feels handmade because it is.

Nothing here feels padded out. When extra elements appear, they earn their place.


Politics, Ethics, and Not Being a Prick

Environmentalism and equality sit quietly but firmly beneath ‘cash rich’. The band are vocal supporters of Music Declares Emergency and Music Venue Trust, and those values bleed naturally into both the songs and the way they operate.

Brooker connects it directly to his own veganism and environmental commitment:

“That coupled with my growing passion for veganism and the environment over the last 10 years means these kinds of organisations speak to me enormously.”

As a fellow vegan, that sincerity lands. This is not surface-level posturing. It is a worldview baked into how they tour, record, speak to fans, and think about the future of music spaces. No preaching. Just care, consistency, and follow-through.


Two People, One Big Live Energy

Over the past year, ‘snake eyes’ have fully committed to a two-piece live setup, and it shows. The shift has tightened their focus and sharpened their presence.

Heffy jokes about the practical side:

“I now have two million guitar pedals and have to play bass too, so I’ve got my work cut out for me.”

But the payoff is clear. Leaner logistics. More agility. A setup that lets them get into the crowd, feed off the room, and keep the shows loose, fun, and physical. Everything about ‘cash rich’ points toward that live exchange.


Final Thoughts

I do not think ‘cash rich’ is an album I will reach for constantly when I am alone. And that is completely fine. Some records are made for repetition and quiet familiarity. Others are made for rooms, sweat, movement, and noise.

This is very much the second kind.

What ‘cash rich’ does well is capture a band who know exactly who they are right now. Two people, six years deep, tired but committed, loud but thoughtful, serious about joy. It feels earned. It feels honest. And I would much rather hear these songs shouted back at ‘snake eyes’ in a crowded room than filed neatly into a playlist.

Sometimes that is the highest compliment.


Album Info

CategoryDetails
Artist‘snake eyes’
Album‘cash rich’
Release Date6 March 2026
LabelAlcopop! Records
FormatDigital, Vinyl
OriginBrighton, UK

TLDR;

  • ‘cash rich’ is the long-awaited debut album from Brighton duo ‘snake eyes’
  • Loud, fuzzy grit-pop built for live rooms, movement, and shared energy
  • Lyrics tackle money stress, burnout, confidence, heartbreak, and community
  • Fully DIY production with obsessive attention to tone and texture
  • Strong environmental and vegan ethics woven naturally into the band’s identity
  • Out 6 March 2026 via Alcopop! Records
  • Visit their Linktree for more.

Stay unruly.

Paul McCartney: Man on the Run Is Coming to Cinemas for One Night Only

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Paul McCartney has lived about seventeen musical lifetimes, but Man on the Run zooms in on one of the strangest, most vulnerable ones: the moment after The Beatles ended, and everything familiar disappeared overnight.

Directed by Morgan NevillePaul McCartney: Man on the Run is an intimate feature documentary that looks at McCartney’s creative rebirth in the early 1970s. It’s about survival, doubt, stubborn joy, and the instinct to keep making things even when the ground drops out beneath you.

The film screens for one night only in cinemas on Thursday, 19 February 2026, released by Trafalgar Releasing.

A Wild Chapter

The Beatles broke up. Lawsuits followed. Public opinion swung hard. And McCartney, suddenly cast as the villain in some corners, had to figure out who he was without the biggest cultural machine of the 20th century propping everything up.

Man on the Run traces that moment with care. It examines the creation of McCartneyRam, and Band on the Run, and the messy, often uncomfortable process of starting over. There is joy here, but it is earned. There is doubt, too. A lot of it.

Neville does what he does best. He lets the quiet moments matter.

Will This One Feel Different?

This documentary leans into uncertainty, risk, and rebuilding from scratch while the world watches. There is something grounding about seeing an artist who could have played it safe instead choosing to retreat, experiment, and relearn what creativity even means.

It is also a reminder that reinvention does not come from confidence. It comes from showing up anyway.

Watch the Trailer


Win Tickets (Sydney)

If you are in Sydney, there is also a double-pass giveaway for a screening at the Hayden Orpheum Picture Palace.

  • Screening date: Thursday, 19 February 2026
  • Location: Cremorne, Sydney
  • Travel and accommodation not included

Enter Here


Where to Get Tickets

Tickets are on sale now via the official site:
https://www.manontherun.film/


TLDR;

  • Paul McCartney: Man on the Run screens one night only
  • Thursday, 19 February 2026 in cinemas
  • Directed by Morgan Neville
  • Focuses on McCartney’s creative life after The Beatles
  • Released by Trafalgar Releasing
  • Sydney screening giveaway available. Enter here.
  • Tickets on sale now via the official site

Orbitals Is a Co-Op Love Letter to Anime, Space, and Actually Working Together

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Orbitals is serving true co-op joy.

Revealed with fresh gameplay during the latest Nintendo Direct Partner ShowcaseOrbitals is a two-player, retro anime-inspired cooperative adventure launching exclusively on Nintendo Switch 2 this summer. It is built from the ground up for teamwork, communication, and that very specific feeling of yelling helpful instructions at someone you trust while everything is on fire in space.

Developed by Tokyo-based studio Shapefarm and published by Kepler InteractiveOrbitals stars Maki and Omura, two pilots thrown into a last-ditch mission to save their home from an incoming cosmic storm. The catch is that nothing works unless you work together.

What Orbitals Actually Is

Orbitals is a co-op adventure about shared problem-solving. You are not just fighting enemies or clearing levels. You are navigating hazardous environments, solving physics-based puzzles, piloting a ship through asteroid fields, and competing in odd little minigames that test how well you can think together under pressure.

Each character has access to tools that are designed to complement the other player, not replace them. Progress depends on timing, communication, and coordination rather than individual skill flexing.

Some of the key tools include:

  • The Scrap Hook is used to grapple and reposition platforms so your partner can reach new areas
  • The Liquid Launcher, which fires pressurised water to activate distant mechanisms or cool down dangerous surfaces
  • The Beam Cannon is a concentrated heat weapon that melts obstacles and clears blocked paths

It is very much a “you go, no wait, now me, okay NOW” kind of game, and that is the appeal.

Built for Playing Together, Wherever You Are

Orbitals offers several ways to play co-op on Nintendo Switch 2, and it is refreshingly flexible about it.

You can play locally using split-screen with two pairs of Joy-Con 2 controllers on a single console. You can also use Nintendo’s GameShare feature to play with someone on another compatible Nintendo Switch 2 or original Nintendo Switch system.

Online play leans hard into communication, making use of the Nintendo Switch 2’s built-in microphone and GameChat so you can coordinate puzzles, call out hazards, or panic together in real time. It is clearly designed around the idea that co-op is better when you can actually talk to each other.

Retro Anime Energy, Modern Co-Op Design

Visually, Orbitals leans into bold colours, expressive character animation, and a distinctly retro anime aesthetic without feeling stuck in the past. It feels playful and cinematic, but still readable during chaotic moments.

This game is all about connection, timing, and figuring things out together. That makes it especially appealing if you love co-op games that prioritise shared experience over competition.


Game Info

CategoryDetails
Game TitleOrbitals
DeveloperShapefarm
PublisherKepler Interactive
Release WindowSummer 2026
PlatformsNintendo Switch 2 (Exclusive)
Players2 Players
ModesLocal Split-Screen Co-Op, Online Co-Op
GenreCo-Op Adventure, Puzzle Platformer
WishlistAvailable Now

Accessibility Snapshot

Accessibility details are based on official Nintendo listing and confirmed features as of February 2026. Developers may add more accessibility options closer to launch.

CategoryFeatureStatusNotes
TextMultiple Languages (Interface & Subtitles)ConfirmedNintendo lists full language support, including English, Japanese, French, German, Italian, Spanish, Korean, Russian, Portuguese, Chinese (Simplified & Traditional), and Polish. 
AudioFull Voice ActingConfirmedFull Japanese and English voice tracks reported by Nintendo/Life. 
Co-Op OptionsLocal Split-ScreenConfirmedTwo players on one console. 
Co-Op OptionsOnline Co-OpConfirmedUses Nintendo Switch Online + GameShare/GameChat. 
CommunicationVoice Chat (Switch 2 GameChat)ConfirmedBuilt-in mic support reported for online co-op. 
ControlsButton RemappingNot ConfirmedNo official info yet on remapping.
VisualColourblind ModesNot ConfirmedNot listed on official pages yet.
DifficultyAdjustable DifficultyNot ConfirmedNo official info yet.
TextText Size ScalingNot ConfirmedNot listed yet.
SensoryCamera Shake ToggleNot ConfirmedNot officially documented.

Quick Notes:

  • The language support is unusually broad for a Switch 2 launch title and a big plus for accessibility and localisation.
  • Confirmed online and local co-op with built-in mic indicates thoughtful connectivity support for cooperative players.
  • The lack of official information about remapping or visual options doesn’t mean they won’t be available; it’s just not confirmed yet.

We’ll re-update this snapshot once more accessibility details are announced by the developers or appear in official platform listings.


Why Orbitals Is One to Watch

There is something quietly confident about Orbitals. It is not trying to be the loudest game in the room. It is focused on making co-op feel intentional, meaningful, and fun in ways that go beyond just sharing a screen.

If you love games that reward communication, patience, and shared problem-solving, this one is absolutely worth keeping on your radar.

Orbitals launches this summer exclusively on Nintendo Switch 2, and it is available to wishlist now.

TLDR;

  • Orbitals is a 2-player co-op adventure built entirely around teamwork
  • Launching Summer 2026, exclusive to Nintendo Switch 2
  • You play as Maki and Omura, trying to save their home from a cosmic storm
  • Gameplay mixes platforming, puzzles, spaceship sections, and co-op minigames
  • Designed for local split-screen or online co-op using GameShare and GameChat
  • Retro anime-inspired visuals with expressive characters and playful sci-fi energy
  • Communication and coordination are the whole point. This is not a solo game
  • Wishlist now via the official Orbitals site and Nintendo Store

Stay unruly.

Scott Pilgrim EX Shows Off Gameplay, Opens Up Toronto for Co-Op Chaos

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Scott Pilgrim EX is officially stretching its legs. After a brief tease during Nintendo Direct, Tribute Games has dropped a proper gameplay overview that shows exactly what kind of Toronto-saving chaos we are getting into this March.

The new trailer gives us our clearest look yet at how Scott Pilgrim EX is shaking up the classic beat ’em up formula. Instead of marching from left to right until a boss shows up, this one lets you roam freely across a chunky, interconnected version of Toronto. You pick where to go, who to fight, and which weird side quests are worth your time before you start throwing hands again.

An Open Toronto Full of Quests, Secrets, and Extremely Punchable Enemies

Scott Pilgrim EX leans hard into exploration. Between fights, you can wander into shops, talk to NPCs, accept quests, and unlock rewards that actually change how you play. The city is packed with shortcuts, hidden areas, and deep-cut references for fans who enjoy poking into every corner between brawls.

Combat is still pure Scott Pilgrim energy. You are combo-ing your way through demons, robots, and the game’s ongoing commitment to using vegans as a punchline, which is rather outdated-flop behaviour if you ask me, but now you get to decide how and when those fights happen. The environment is fully interactable, too, which means anything from baseball bats to turnips can become a weapon if you are feeling creative or desperate.

Co-Op Chaos With a Very Good Roster

You can play solo, but Scott Pilgrim EX is clearly built for co-op nonsense. Up to four players can team up locally or online, each picking a fighter with their own moveset and upgrade path.

Playable characters include Scott Pilgrim and Ramona Flowers, plus some very welcome chaos picks like Roxie Richter, Lucas Lee, Matthew Patel, and fan favourite Robot-01. There is also one mystery character still being kept under wraps, which feels rude but exciting.

Each character draws on their history across the Scott Pilgrim universe, making the roster feel more than just reskins with different stats.

New Story, New Music, Same Scott Pilgrim Weirdness

The plot kicks off with Sex Bob-omb being kidnapped and their instruments stolen, which is a deeply Scott Pilgrim sentence if ever there was one. Scott and Ramona have to brawl their way across the city, through time, and into increasingly ridiculous situations to save the band, Toronto, and presumably reality.

Bryan Lee O’Malley co-writes the story alongside Tribute Games, and the soundtrack comes from series alums Anamanaguchi. If you were worried, this might feel like a cash-in, but everything shown so far says otherwise. This looks like a genuine new chapter for fans of the world.


Game Info

CategoryDetails
Game TitleScott Pilgrim EX
DeveloperTribute Games
PublisherTribute Games
PartnersUniversal Products & Experiences
PlatformsPC, PlayStation 5, Xbox Series X|S, Nintendo Switch, Nintendo Switch 2
Release DateMarch 3, 2026
GenreCo-Op Beat ’Em Up, Action
Players1 to 4
Co-OpOnline and Local
NarrativeNew original story co-written by Bryan Lee O’Malley
MusicAnamanaguchi

Accessibility Snapshot

Accessibility information based on the Steam store page as of February 2026. Always check in-game settings for the most up-to-date options.

CategoryFeatureOptionsNotes
SubtitlesAudio SubtitlesYesFull subtitle support listed
Language SupportInterface and SubtitlesMultiple languagesIncludes English, French, Spanish, Japanese, Korean, Chinese (Simplified and Traditional), Portuguese (Brazil), and more
Co-Op OptionsLocal Co-OpYesShared or split screen
Co-Op OptionsOnline Co-OpYesVia platform services
InputController SupportNot confirmedNot listed on Steam
InputButton RemappingNot confirmedNo details available
VisualColourblind OptionsNot confirmedNo details available
VisualText Size ScalingNot confirmedNo details available
DifficultyAdjustable DifficultyNot confirmedNo details available
CameraCamera Shake ToggleNot confirmedNo details available

Accessibility features can vary by platform and version. Always check platform listings and in-game menus for the most accurate information.


When and Where You Can Play

Scott Pilgrim EX launches March 3, 2026, on PC, PlayStation 5, Xbox Series X|S, Nintendo Switch, and Nintendo Switch 2.

If the idea of an open Toronto full of quests, co-op chaos, and (mostly) extremely punchable villains appeals to you, this one is shaping up nicely.

Stay unruly.

Laneway Festival 2026: Gold Coast and Sydney Are Sold Out

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Chappell Roan by Chontalle Musson

Laneway Festival 2026 is moving like a group chat deciding to go out, and somehow, everyone is already dressed.

Gold Coast is sold out today. Sydney is sold out tomorrow. That is 36,000 people in Queensland and 50,000 people in New South Wales who had the exact same thought: “Yep, I’m going.”

Gold Coast and Sydney Hit Capacity

Laneway has confirmed today’s Gold Coast edition (36,000 capacity) and tomorrow’s Sydney edition (50,000 capacity) are completely sold out, locking in a huge start to the Australian run.

The festival says the momentum has been building since Thursday’s Auckland show, which welcomed more than 35,000 attendees at Western Springs Stadium, making it the festival’s most successful Auckland event to date.

Laneway co-founders Danny Rogers and Jerome Borazio summed it up like two people who just watched their group project actually work:

“What a way to kick off our Australian run with a sold-out show on the Gold Coast. The response to Laneway this year has been beyond anything we could have imagined. We’re so grateful to the fans, the artists, and the incredible team who bring this festival to life.”

Auckland, We’re Jelly

The Auckland show came with a tidy little highlight reel of crowd-pleasers.

  • BENEE made a surprise appearance as Role Model’s “Sally”, and Laneway says it pulled one of the biggest crowd reactions of the day
  • PinkPantheress joined BENEE on stage for ‘Princess’, then delivered her own set
  • Alex G played to a massive, devoted crowd
  • Geese made their New Zealand debut

Surprise appearances at festivals are the musical version of someone yelling your name across a shopping centre. You look up. Your brain short-circuits. You are suddenly alive. It’s the best.

Remaining Australian Dates: Tickets are Low

With Gold Coast and Sydney now at capacity, Laneway is urging fans to move quickly on the remaining Australian stops.

  • Melbourne: Handful of tickets remaining
  • Adelaide: Limited tickets remaining
  • Perth: Limited tickets remaining

If you are Perth-based and currently doing that thing where you “just want to see how your week looks”, I am begging you to stop tempting fate.

Official Afterparties Are On Sale

Laneway’s official afterparties are also on sale now, for anyone who likes their festivals with a side quest.

Gold Coast, Saturday 7 February
Venue: Lulu Rooftop Bar
Le Boom (Live), Babe Rainbow (DJ), Laneway DJs

Sydney, Sunday 8 February
Venue: Oxford Art Factory
Le Boom (Live), Shady Nasty (DJ), Blusher (DJ)

Melbourne, Friday 13 February
Venue: The Night Cat
Le Boom (Live), Shady Nasty (DJ), Blusher (DJ)

Event Info

CategoryDetails
FestivalSt Jerome’s Laneway Festival 2026
Presented bytriple j
Auckland / Tāmaki Makaurau (18+)Thursday 5 February 2026, Western Springs
Gold Coast (16+)Saturday 7 February 2026, Southport Sharks, SOLD OUT
Sydney (16+)Sunday 8 February 2026, Centennial Park, SOLD OUT
Melbourne (16+)Friday 13 February 2026, Flemington Park, VERY LIMITED
Adelaide (16+)Saturday 14 February 2026, Adelaide Showgrounds, LIMITED
Perth (16+)Sunday 15 February 2026, Arena Joondalup, LIMITED

Accessibility And Survival Guide

Want the full Unruly Folk pre-festival brain dump, including queer-friendly tips, neurodivergent-friendly planning, what to pack, and how to survive Laneway without becoming a sweaty little cautionary tale? We’ve got you.

Laneway Perth 2026: The Ultimate Pre-Festival Survival Guide (Queer, Neurodivergent, And Ready For Chappell)

TLDR;

  • Gold Coast (Saturday 7 February 2026) and Sydney (Sunday 8 February 2026) are Sold Out.
  • Auckland pulled 35,000+ at Western Springs, the festival’s biggest Auckland show to date.
  • Melbourne, Adelaide, and Perth tickets are Limited, so move like you mean it.
  • Need a pre-festival plan that actually respects your brain and body? Read our Laneway survival guide.
  • Visit https://www.lanewayfestival.com/ for more

Stay unruly.

TOMORA Announce Debut Album Come Closer, Out April 17

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TOMORA by Dan Lowe

Sometimes a mystery name on a festival lineup is just marketing fluff. Sometimes it’s this.

TOMORA, the newly revealed duo of Tom Rowlands (of The Chemical Brothers) and Norwegian alt-pop force AURORA, have officially announced their debut album Come Closer, landing April 17 via Fontana. This is where I smash my keyboard in excitement.

So, what is TOMORA?

TOMORA is what happens when two artists with wildly strong creative identities stop circling each other and commit.

Rowlands and AURORA have a history; she featured on three tracks from The Chemical Brothers’ 2019 album No Geography, including ‘Eve of Destruction’, and Rowlands later contributed to AURORA’s 2024 album What Happened to the Heart?. This project feels less like a side quest and more like a full “okay, let’s build a world” moment.

Come Closer: The Album Details

Come Closer is a 12-track debut that includes previously released fan-favourite ‘Ring the Alarm’, plus the brand new title track ‘Come Closer’, which is out now.

According to TOMORA, they made this album without pressure, obligation, or expectation, just joy, curiosity, and creative chaos at its best.

“We made it without obligation or expectation, just a joy in creation. It’s the sound where we meet, the landing zone of our musical escape pods.”

We love an escape pod, and would like to order several. Please. Thank you.

Come Closer Tracklist:

  1. Please
  2. Come Closer
  3. A Boy Like You
  4. Ring the Alarm
  5. My Baby
  6. Have You Seen Me Dance Alone?
  7. Somewhere Else
  8. I Drink the Light
  9. Wavelengths
  10. Side by Side
  11. The Thing
  12. In a Minute

The album will be available digitally, on CD, standard black vinyl, and limited-edition coloured vinyl for collectors (and the aesthetically unwell among us).

New single: ‘Come Closer’

The title track arrives alongside an official video directed by Adam Smith and S T A R T !, long-time visual collaborators in the Chemical Brothers universe.

Live shows incoming (yes, already)

Before they even hit Coachella, TOMORA will play their first-ever headline shows in the UK this March:

  • March 25 – New Century Hall, Manchester
  • March 26 – EartH Hackney, London

Visual direction for the shows is again handled by Adam Smith, which feels important if you know anything about Chemical Brothers’ live sets. Tickets go on sale Friday, February 13, at 10 am via Live Nation.

From there, it’s straight into festival mode, including CoachellaNOS AliveBilbao BBK LiveØYASziget, and more.

Why this matters (and why we’re excited)

What makes TOMORA interesting is the way this project refuses to feel like a compromise. It’s two artists fully leaning into their instincts and seeing how far they can push each other.

There’s something deeply refreshing about music that sounds like it was made because two people wanted to make it. Not because an algorithm suggested it, not because a trend demanded it, but because the chemistry was already there. It’s a passion project. We need so much more of that.

And frankly? We are extremely ready to experience this in a dark room with very loud speakers. Gimme.


TLDR;

  • TOMORA = Tom Rowlands (The Chemical Brothers) + AURORA
  • Debut album Come Closer out April 17 via Fontana
  • New single ‘Come Closer’ is out now with an official video
  • First-ever UK headline shows in Manchester (March 25) and London (March 26)
  • Festival run includes CoachellaNOS AliveØYASziget, and more
  • Pre-orders are live now

Stay unruly.