The Fall Guy Review

In a blockbuster landscape often bogged down by dense lore and CGI excess, The Fall Guy stands out as an unabashedly fun tribute to the craft of filmmaking, particularly the unsung heroes of Hollywood: stunt performers. Directed by David Leitch, a former stuntman himself, the movie is a love letter to both the art of practical stunts and the charisma of its stars, even if it doesn’t fully stick the landing.

Ryan Gosling plays Colt Seavers, a once-great stuntman lured out of retirement after an on-set accident. The plot follows Colt as he navigates a chaotic film production helmed by his ex, Jody (Emily Blunt), while also trying to locate the missing action star, Tom Ryder (Aaron Taylor-Johnson). The narrative unfolds like a hybrid of romantic comedy and action mystery, weaving together explosive stunts and sharp banter.

Leitch, whose résumé includes John Wick and Bullet Train, leans into his strengths, crafting breathtaking action sequences that feel tactile and exhilarating. Highlights include a cannon roll stunt and a fight in a spinning dumpster, both executed with an infectious reverence for practical effects. The film’s decision to minimize CGI gives it a grounded feel, a welcome contrast to the increasingly digital spectacle of today’s blockbusters.

Gosling delivers a pitch-perfect performance, blending the stoicism of his roles in Drive and Blade Runner 2049 with the comedic charm of Barbie. His character oscillates between a confident professional and a vulnerable romantic, a dynamic brought to life by his undeniable chemistry with Blunt. As Jody, Blunt channels her signature mix of wit and competence, though her character is unfortunately sidelined in parts of the film, limiting her impact on the story.

While The Fall Guy thrives on its stunts and star power, it falters in its script. Drew Pearce’s screenplay feels uneven, with predictable twists and dialogue that leans too heavily on references to other films. The tonal shifts between parody and sincerity, though occasionally jarring, are mostly balanced by the film’s sheer energy and charm.

The ensemble cast, including Hannah Waddingham, Winston Duke, and Stephanie Hsu, adds depth and humor, though some characters, like Hsu’s, are underutilized. The film also drags in its final act, stretching a thin narrative into a runtime that could have been trimmed by 20 minutes.

Despite its flaws, The Fall Guy succeeds as an ode to the human element in filmmaking. Its reverence for stunt work and practical effects imbues the movie with a refreshing authenticity. Leitch’s passion for the craft is evident, making this his most personal film to date. For viewers seeking a break from overly serious blockbusters, The Fall Guy offers a thrilling, heartfelt reminder of what makes going to the movies fun.